Kellen of the House of Ke isn’t just a disappointment to his parents and an outcast to his people: he’s a spellslinger on the run with a price on his head. You’d think he’d keep a low profile. Maybe it’s his nature. Maybe it’s the company he keeps. But he just can’t keep himself out of trouble… Shadowblack is the sequel to the riotous joy that was Spellslinger, an unapologetically brash coming-of-age romp – so this review will inevitably be chock-full of spoilers for the first book. While you can pick up the gist by diving straight into Shadowblack, don’t do it – the context will make the second book more rewarding, and Spellslinger is a joy from start to finish. Still here? Right then. Where Spellslinger was set in the ‘most civilised’ city/culture in the world (at least according to its Jan’Tep inhabitants), Shadowblack is in the world’s equivalent of the Wild West: the Seven Sands (some of which are blue. Neat). Ferius – with her smoking reeds and drawling slang – fits right in. Kellen – well-born, well-bred and very, very wet behind the ears – really doesn’t. We rejoin Kellen and his light-fingered, short-tempered familiar Reichis trying to steal something from…
Kellen is 15, the astonishingly untalented son of the Jan’Tep’s greatest mage. Struggling to cast even the simplest spells, he’s the butt of jokes and school yard bullying. Worse, if he can’t pass his mage trials before he turns 16, he’ll be relegated to the Sha’Tep servant class – reliant on his obnoxious little sister’s charity if he’s lucky, sent down the mines if he’s not. Kellen is bright and resourceful, never one to back away from a fight he can’t win if he believes he can think his way through it. When a nice bit of trickery – or cheating, depending on your point of view – sees him through his first trial, the stage is set for Trouble. It’s not a good time for an unpopular outsider to befriend a confrontational foreigner with some unusual tricks of her own. But common sense is almost as alien as magic to headstrong young Kellen… I was a bit sceptical about how much I would enjoy a book with a teen boy protagonist. I needn’t have worried – Spellslinger is a riot from start to finish. The narrative has considerably more confidence and control than its protagonist; de Castell never misses…